I first learned of Star Trek when I was in about third grade and it was must see TV, at least for those who were allowed to stay up late enough to see it. As I was not, but as I had the coolest desk chair, one that had tacks that held the “leather” (I think it was probably a vinyl imitation) to the arms and this was, apparently, somehow like the control chair on the USS Enterprise, we would gather at my house where, despite having the chair, I didn’t get to be Kirk and sit in it because I hadn’t seen the show and didn’t, therefore, know how to play the role. Instead I was one of the characters at the periphery of the room being ordered around by the commander.
Yesterday Leondard Nimoy died at age 83 years of age. When I was older and could watch Star Trek in
reruns, Nimoy’s character, Spock, was the emotional center of the show. His half-human half-Vulcan character was the
most authentic in the program. Captain
Kirk, played by William Shatner, channeled anger. He was always ready to stride headlong into
whatever trouble lay ahead. Dr. Leonard
“Bones” McCoy, played by DeForest Kelley, just seemed to be a sap. He was long on emotion – long on “caring” (I
suppose he was in a caring profession), but short on common sense. He seemed always to be paralyzed by
fear. The other characters also seemed
each to have their role – or emotion – to play.
But Spock – human alloyed with Vulcan, a purely logical species – was
forever torn between his preferred role, that of being logical, and his
duplicitously human, feeling self.
I think that the internal conflict between thinking and
feeling, and Nimoy’s sensitive portrayal of it, was what made him a more three
dimensional character – a more truly human character than the others. Tonight we watched an episode of Star Trek
for the first time in a very long time.
The episode, perhaps chosen because of Nimoy’s death, highlights Spock’s
character, putting him in the uncharacteristic position of being the most
emotive of the crew because of a mysterious condition that leads him to need
to mate or die. The intensity of this
desire causes him to run amok – to throw food against walls and to engage in
insubordination, overriding the captain’s order – behavior that is clearly out
of character for him. Long story short,
the Enterprise, following first Spock’s orders against Kirk’s wishes, then
Kirk’s wishes against Starfleet Command's orders,
makes its way to Vulcan where Spock can engage in rutting behavior with
the woman to whom he was betrothed when but a boy.
Well, things have changed since Spock's childhood, and his beloved has
taken up with another Vulcan and she, quite logically, Spock realizes when he
comes to his senses, wants to have Spock’s lands and monies but not to be
saddled with a partner who is never there and whom she doesn’t know. So she utilizes the ancient tradition of the
Vulcans to choose a champion. She had
intended to choose her paramour, but as Kirk and Bones are to witness the
fight, she decides to choose Kirk instead. He can’t take Spock’s belongings
even if he wins – and if he dies she doesn’t lose her paramour. Again, from Spock’s perspective, this is a
supremely logical strategy. Spock, in
his maddened state, fights Kirk to the death, apparently killing him, which
releases him from the rut. Returning to
the ship, he discovers that Bones, of all people, has come up with a subterfuge –
he injected Kirk not with oxygen to even the playing field as he claimed to have done, but with a
neurotoxin that imitates death, but from which he can be revived once safely
back on the ship. And Kirk, despite my
memory of him as driven primarily by rage, is quite affable and even courtly in
his interactions with the Vulcan priestess.
Perhaps Spock’s loss of rationality requires a compensatory growth of
reason on the part of the others (or maybe my memory of the limits of the
other’s roles is exaggerated).
From a psychoanalytic perspective, it is intriguing to see,
in this hyper-rational society, the portrayal both of an intermittent
hormonally driven and quite shameful
drive to reproduce – as if Spock’s characterization of his Vulcan heritage as
exclusively rational must be an exaggeration for any biological species – and
this is further acknowledged in the religious ritual that cloaks the mating
rite – one that is, in the words of the priestess, handed down from the
earliest days of the civilization. This
ritual, complete with a jade gong and other religious trappings, emphasizes
that the irrational – the assumption of a governing principle beyond the scope
of reason that apparently must be incorporated into even the most rational society – just as pi
– and other irrational numbers – emerge from the most rational mathematical
systems. There is mess in the most
orderly corners of the universe.
Last week, in the New York Times Sunday Magazine, there was
a feature article about Airbnb – a web based company that facilitates people
renting their homes – or space in them – to travelers at a fraction of the cost
of a hotel. We stayed in Airbnbs on our
family trip through Canada and on the pilgrimage that I took with the reluctantson to Chicago, both chronicled earlier in blogs. On both trips, we mostly stayed in the homes
of people who were involved in a relationship with someone else, but had not
yet moved in together, or so it seemed to us.
In Montreal, though, we stayed in an apartment that was managed by an
entrepreneur who realized that it was more profitable to rent his properties by
the day than by the month. The focus in
the article was on Airbnb’s efforts to penetrate Japan, a country with a
looming Olympics that could be a bonanza for the company and those who would
stand to profit from having foreigners stay in their homes, but the Japanese are
reluctance to play.
Airbnb and the article rely on the work of a Dutch social
psychologist, Geert Hofstede, to describe the relevant dimensions that seem to
distinguish between countries like the US and Australia, where Airbnb has taken
off and Japan, where it has not. Hofstede,
when working for IBM, developed a series of metrics to determine what
distinguishes different cultures – whether in the home, the workplace or a
political entity like a town, state or country.
The relevant dimensions include collectivism vs. individualism,
restraint vs. indulgence, acceptance vs. rejection of hierarchical structures,
and embracing vs. avoiding uncertainty.
The US and Australia are, as a whole individualistic and indulgent,
while Japan is collectivist and restrained, but the article proposes that the
differentiating factors for openness to Airbnb appears to be the dimension of
avoiding uncertainty, which the Japanese do, apparently, with a passion.
I think, actually, that the different personality dimensions
are not as independent as they might seem.
I think that the characteristics of being restrained and avoiding
uncertainty go along with the acceptance of hierarchical structures in what we
would clinically call the obsessive personality style, a style that is related
to an introverted style and also to a style that has been termed the highly
sensitive style – and each of these related styles of engaging with the world are
styles that many, many in our US culture endorse, even though the US culture as
a whole celebrates and differentially reinforces the opposite traits. Spock and his hyperrationality become the
poster child for these individuals – people who are more comfortable thinking
than feeling – people who tend to want a world that is neat and orderly, not
one that is messy – people who answer to authority - and people who tend to
stay within a very small comfort zone – not being interested in traveling outside of it, and many of these people are also afraid of experiencing
uncertainty.
Traveling and meeting new people is inherently filled with
uncertainty. Will they be friendly or
not? How do I connect respectfully with
people whose culture is so different from mine?
Wouldn’t it just be easier to stay home?
And isn't it ironic that people with these “stay at home” traits are
also likely to be quite intellectually curious about the world? I have an Uncle and Aunt who are both curious
and concerned. They have traveled to
over a hundred countries, and most of the time they have carried their own food
to maintain their safety. Spock, who
epitomizes the stay at home type, is the second officer on the USS Enterprise
whose five year mission is to “Boldly go where no man has gone before.” He demonstrates the value of this style that
is undervalued in our society, while simultaneously encouraging those of us
with this style to embrace something that is scary but, with him as a model,
somehow more manageable.
In the Amok episode, Spock, after acknowledging the logic of
his betrothed’s betrayal, notes, with his usual measured tone that “You may
find that having is not as desirable as wanting. It is not logical, but you may find it to be
true.” Over and over again, Spock, the
quintessential rationalist, finds that the logical is not always true. He models equanimity in the face of
irrational quandaries and therefore most closely models the heart of the
mission of Star Trek and the hopeful children of the “Greatest Generation”; a
generation who would both question their parents, but also embody their hopes
as they tried to remake the world to fit their vision of it. Leonard Nimoy, in his portrayal of Spock,
clarified that there could be a rational center to that ideal – and that, when
the limits of reason were reached, we could still bravely move forward, even if
that is into someone else’s living room, or inviting them into our own.
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