Total Pageviews

Saturday, October 16, 2021

COVID Chronicles XXIII: The Great Resignation II: How I am Resigned

 






During the past 8 or 10 months, I have dreamt, at least weekly, that I am at a family reunion.  It is always pleasant and I feel a little sad on awakening to discover that I have been dreaming.  The dream is about a wish to be with my family, but also to reunite with the human family.  We have been estranged from each other for a very long time.

The dream reunion is with my father’s family.  When I was a child, my father and his two brothers’ families would get together every Thanksgiving.  With spouses, children, and grandmother we numbered between 15 and twenty.  We lived in three different northern states and would stay in one home, all together, cots lined up in the basement for the kids.

Cousins are a special breed of relative.  They are close enough in age to be good playmates, but because we don’t live together, there aren’t the kinds of conflicts that emerge between siblings.  I was friends with my cousins the way I would later become friends with my siblings, when we were old enough not to be quite so competitive and to be able to appreciate the differences between us rather than to try to exploit them.

The dream is a dream of the present day.  The cousins are now grown, with kids of our own, and even a few grandkids.  In reality, we no longer get together every year, but for occasions – weddings mostly but also for funerals; first for my grandmother and more recently for my father and for his brother’s wife, my aunt.  We have also gotten together in smaller groups to celebrate anniversaries or graduations. 

So when the announcement of my cousin’s wedding reception arrived this summer, I was excited.  We couldn’t go to the wedding itself last year because of COVID.  We watched it via zoom, which was less satisfying than kissing through a screen door would have been.

My entire branch of the family was excited by the reunion.  We all made travel plans.  COVID looked like it would be vanquished and we could finally be together.  Even the reluctant stepdaughters thought it would be fun to connect with this fun loving side of my family.

But COVID, our constant companion, returned.  And, since the wedding was in Texas, many were concerned about the lax local approach to managing the pandemic.  The numbers did not look good as a third surge raged.  My brother, who is selling his house and worldly possessions and moving with his wife to St. Thomas thought they could make it as one final connection with the family, but the crush of moving caught up with them. By last weekend, I was the sole representative of my Dad’s family.  Our branch was whittled to a twig.

The irony is that I am probably the one in the family who least likes to travel.  This is also the busiest time of year for me and I can ill afford to spend time away from work (though I was able to get a lot of work done on the plane, in a hotel room by myself, and I was, because we are now in the state we are, able to teach by Zoom).  But my dream was calling me.  I could not resist the pull towards community.

And I am very glad that I went.  I had rich and meaningful conversations with many people.  I caught up on family gossip and had fun just hanging out.  We were careful about masks until the after reception when the dancing started and, I swear, I was the only masked person in the place.  Later I found out that family members on both the bride and groom’s side were figuring that all of the guests were vaccinated.  But did they ask about the band?  (It is a week later and, knock on wood, I don’t have any symptoms yet and have not heard that others do).

A central topic of conversation was the great resignation.  A cousin who is a physician had an experience that closely mirrors mine.  For the past twenty years, she has worked for one of the top hospitals in the country.  When COVID hit, the hospital cut physician’s pay and quit contributing to their retirement and demanded that the physicians (and presumably the rest of the staff) work more hours because of increased patient demands.  Unlike me (but like many of my colleagues), she decided to quit working for them, and the family has moved to be closer to my uncle.  She is doing locum tenens work until she can find the kind of job she wants – part time with no evening or weekend work.  Without COVID she, and many of her colleagues who also resigned, would have continued where she was for another twenty years.

Her husband lived for a year on St. Thomas, where my brother is headed.  That cousin is envious of my brother's decision to buy a boat and move onto it.  My cousin is trying to whittle down his possessions, and he recognizes that living on a boat means never being tempted to impulse buy anything - because there is simply no place to put anything.  He wonders, though, about whether my brother and his wife will like living on an island - it is a small place, he cautions.  Kind of like living in our COVID concentrated worlds, I'm thinking.

A cousin with younger kids, quit her job so that she could manage the kid's schooling.  First their school shut down without notice.  Then, when it started up, classes were cancelled without notice and then their kids were sent home regularly when they were exposed to the virus.  The havoc that was wreaked in their lives and in her professional life became unmanageable and she resigned to manage the kids and their schoolwork while her husband continued to work.  

The cousins who were in High School and College were affected much as my kids have been.  One had his senior year of high school at home, over zoom.  He has now started community college and has only started to meet some of his classmates as some classes have returned to in person (with masks), though many are still remote.  He reported that the in person classes were vastly superior to those online – he feels connected to his teacher and to the other students in a way that he does not in classes that are being taught remotely.

At the same time, many cousins are preparing for a post COVID world in a variety of exciting and interesting ways.  One very thoughtful cousin is thinking about a career in the performing arts – an incredibly competitive field.  I listened to his father have a conversation with another cousin who has had success in the performing arts.  They talked about whether it made sense to get additional training or to simply try to get auditions, as she had done.  She acknowledged the tremendous amount of luck that went into her success.  The next morning, the very poised high school wannabe performer talked soberly about the various paths that could lead to different types of careers on stage, but also behind the scenes and the risks and benefits of each of these paths.

As we work to craft dream driven lives, we encounter obstacles the dreams haven’t anticipated.  The triple threat of COVID, climate change, and the ways that George Floyd’s death have caused us to rethink the structural (dis)advantages built into our system have contributed to my relational family and the family of human beings reassessing how we will structure our individual lives.  The great resignation – an unprecedented number of people walking away from jobs, partly as a result of having a safety net that will protect them as they regroup – is leading to a very broad re-thinking of what it means to live a good life.

My own life, one that has been led successfully (and sometimes not so successfully) pursuing a variety of dreams has felt at times like a high wire walk over the fear that a misstep will lead to financial ruin.  I have been frugal throughout my life, and, in the last half of it, conservative about pursuing things that might have involved financial risk.  At the same time, I realize that I have been extremely privileged and much of my anxiety has been manufactured.  I think that I would not have been in as much peril as I might have imagined if I had struck out in less fettered ways to pursue self-indulgent or socially conscious goals.

My own resignation is of a different variety.  I am resigned to having led the life I have lived – and to thinking about how best to live the remainder.  I cannot undo what has been done, and I don’t have the wide open field of possibilities that my younger cousins do.  I fear for the planet – in much the same way, to this point, that I have feared for my financial future.  I work to contain my own carbon footprint where I can, and feel guilty about where I do not (including flying to a family reunion in the midst of a pandemic).  Will I be more proactive with the last (what I hope to be) third of my life?

In a conversation with another middle aged cousin, one who is also an artist, he had resigned himself to moving from a position that appeared to be a dead end, to being offered an opportunity within that organization to play a starring role.  His performances will occur in March.  A number of us will convene to observe and celebrate that performance.  He talked movingly about the ways in which he dedicates himself to prepare for an ephemeral performance – one that lasts only as long as he and the audience are in contact with each other.  We all, I suppose, do this.  Not just within our profession, but within our lives.  We perform whatever we do, and leave whatever trace in the world that we do.  We leave that trace with our friends and family and in our neighborhood, and collectively that trace seems ephemeral; but, in fact, those actions can have far reaching consequences, for good and evil.

As we celebrate my cousin's performance in March, we will also be celebrating his marriage.  He is marrying a man who helps him, he says, realize that there is a world beyond the singular world of the performances to which he devotes himself.  This brings balance to his life, but also joy.  I know the joy firsthand.  I feel it in the presence of his husband and of their love for each other.  I also feel it in the love – much of it complicated – that my families feel for each other – both my family of kin and this family we all share – the family of humans.  As we become resigned to our limits, I hope that we also keep our eyes open to the possibilities that lie before us.

 To access a narrative description of other posts on this site, link here.  For a subject based index, link here. 

To subscribe to posts (which occur 2-3 times per month), please try using the service at the top of the page.  I have had difficulty with these and am looking for something better, but these are what I have at this moment. 

  For other posts on COVID:

I:       Apocalypse Now  my first posting on COVID-19.
II:      Midnight in Paris  is a jumping off point for more thinking about COVID.  (Also in Movies).
III:    Hans Selye and the Stress Response Syndrome.  COVID becomes more normal... for now.
VI:    Get back in that classroom  Paranoid ruminations.
VII:   Why Shutting Classes Makes Fiscal Sense A weak argument
XIII: Ennui
XIV. Where, Oh Where have my in-person students gone?  Split zoom classes in the age of COVID.
XVIII.    I miss my mask?
IXX.      Bo Burnham's Inside Commentary on the commenter.


Saturday, October 9, 2021

Sex Education: High School Sex and Intimacy – Can They Co-exist?

 

Sex Education, Netflix, Isaac, disability and sex, psychoanalysis of Sex Education, psychology of Sex Education, Intimacy and Sexuality



The Reluctant Wife began watching Sex Education a while ago and I would notice it as I walked through the room, sometimes getting caught up in it.  At some point, it caught my attention enough that I joined her to watch the second season and found myself anticipating the third season.  I was drawn in by the characters – by their teenage angst – by the interesting intersections of identities – sexual and otherwise, but I found myself being turned off by the sex.  I’m not a prude.  I like sex.  And there’s a lot of it depicted in this series.

I think some of the reason to be turned off is the staging of the sex.  It is clear that the sex is highly staged.  These are young actors and they are being watched over (I assume) by people who are walking them through how to act like they are having sex with someone else – and being coached on how to pretend to have sex and not quite have sex at the same time.  This is challenging for actors at any stage in their careers, but it must be particularly challenging for actors who are going through their own version of what they are depicting to be engaging in faux sex with many onlookers and the unblinking eye of the camera. 

But I don’t think the staging of the sex – the sense that this is just play sex and not the real thing - is what is off-putting.  Ironically that is part of porn, and it does not seem to matter enough there to derail the experience of getting excited.  I think that I am put off by the realistic aspects of the depiction of high school sex. 

The sex in Sex Education is urgent – frequently to the point of being frantic.  Sex is depicted, I think realistically, as being the result of powerful urges that feel like they have to be satisfied NOW.  And those impulses in high school are both so intense and so relatively rarely indulged that when then there is an opportunity to have sex, it feels urgent to have it now.  And the places that people have sex conspire to intensify the urgency – let’s have sex before we get caught, even when kids are having sex in their own bedrooms with the tacit or even explicit approval of their parents.  Someone might come in at any moment!

I think adolescent sex is urgent for other reasons as well.  Primary among them is that adolescent sex is wrapped up in the discovery of one’s identity, perhaps the primary adolescent developmental challenge.  So sexuality becomes partly about identity - who am I as a sexual person?  And so it partly had a defensive quality, as if the participants are so focused not just on their own pleasure but on whether they are being liked by the other that they cannot quite be open to the other - to engage with them.

This series is very much about identity – it includes an ensemble cast that is diverse racially, socio-economically, sexual orientationally, and on the basis of ability.  There is a kaleidoscopic quality to the characters and to the ways in which they interact.  There are the cliques of high school – and those who cross boundaries, belonging to one clique but consorting with members of others.  Who each person is - but also who it is that they are becoming - is very important to the characters and to the show 

There is also the discovery of the ways in which a person who is imagined to be one way – because of whatever aspect of their identity – is discovered, in the sort of accidental encounters that occur when many people are crammed into a small building for the bulk of the day, to also be someone completely different.   On this level, this series, even to someone who grew up in a different era, feels organic and true. The moments of discovery occur not just between the players, but within the audience as we discover that the cool girl’s home is not the friction free environment that her cool presentation would suggest that it might be. 

There is a kind of Structural Racism present as the principal protagonists are white and the secondary characters tend to be from other ethnic groups.  The principal protagonists are also predominantly heterosexual, but other sexualities are abundantly present and embraced in realistic ways.

Otis and Maeve

I would like to focus on a scene in the third season that was, unlike so many others in this show, erotic and arousing.  It caught me by surprise and I think it did so for three reasons.  (If you haven’t watched season three and intend to, you might want to wait to continue until you have seen it).  The scene is the result of a love triangle between the main protagonist, Otis Milburn (Asa Butterfield), his partner in crime, Maeve Wiley (Emma Mackey), and her disabled next door neighbor, Isaac Goodwin (George Robinson).  Otis, who is the son of the Sex Educator and Sex Therapist Jean Milburn (Jillian Anderson) of the title, opened a sex therapy clinic of his own with Maeve during the first season. 

Isaac

There is a simmering but unspoken romantic tension between Otis and Maeve that seemingly must remain unresolved in order to sustain the relationship (and, I suppose more importantly, the series).  When, at the end of season 2, when Isaac deletes Otis’ protestation of love  from Maeve’s voice mail (after listening to it), so that Maeve does not know that Isaac has a rival for her affections, we are set up to see Isaac as not just manipulative but evil.  Over the course of season three, as Maeve moves towards appreciating Isaac, he gets rehabilitated in our mind – but there is a lingering mistrust.  As Maeve increasingly comes to see Isaac as not just a neighbor, but a love object, and as he works to prove himself worthy of her love, he confesses his misdeed.  This complicates things for Maeve (and for us) but it also clears the decks, or should, of our mistrust in Isaac.

The scene, then, which is, at least to me, the most erotic and sensual scene in the series is the love scene that takes place between Maeve and Isaac.  It is also the most emotionally complicated for the viewer, in a series that seems to work hard to create emotionally complicated scenes of for viewers.  But this one exposes, at least for this viewer, a prejudice based complication that I sensed was at work, but that I wasn’t really certain of.

Because Isaac has been a morally repugnant, then ambiguous, then at least somewhat redeemed figure, my reservation about Maeve’s interest in him was revealed, at least to me, to also be about a reservation based on his disability.  As they talk about the ways in which his paralysis interferes with but also doesn’t preclude his having a sexual relationship and, indeed, heightens some forms of sexual pleasure and as Maeve begins to explore how to provide some of that pleasure, we suddenly find ourselves in a new and fascinating sexual landscape.

Maeve and Isaac’s discussion of his sexuality is frank – but other discussions have been quite frank.  This is new because it is tender in a way that other discussions have not been.  These two people, in this moment, seem neither to be focused on their own pleasure – they are focused on the other’s pleasure – nor do they seem to be defending themselves against being shamed or exposed as part of their experience of being open to the other.   They seem to be joined by their curiosity – and the pleasure that curiosity brings.  I, as the viewer, become aware of my own curiosity and the way it is being satiated by this discussion – and it becomes clear that what is arousing about this interaction is not just that it is sexually intimate, but that it is emotionally intimate.

I also become aware, as I am drawn deeper and deeper into experiencing this interaction, that part of my resistance to seeing Maeve be drawn to Isaac is something like horror at the thought of having a sexual interaction with a person who is missing a part of what I take to be integral to being human.  My horror turns slowly to fascination as I become curious about how this complex, devious, but also gentle person can use himself to pleasure and receive pleasure from another.

Sexuality does not have to bring emotional intimacy.  Indeed, many of the relationships depicted in Sex Education seem to use sex to prevent emotional intimacy.  But when sex is used to enhance emotional, interpersonal intimacy, it becomes an entirely new thing.  Instead of just being a means of gratifying a drive (and for adolescents, the gratification of that drive is a particularly powerful feeling), when sexual interaction also allows for accessing the parts of ourselves that crave caring for others and the parts of ourselves that crave being cared for, and we are using multiple senses to express and experience this interaction, the nuanced interactional possibilities transcend simple gratification.  At this point, we are able to experience an internal integration – an intrapsychic harmony, and an interpersonal one – an expression of multiple types of love simultaneously. 

The intensity of this experience certainly registers as sexual arousal, and the interesting thing is that the arousal occurs not through identification with the corporeal other – I am still fundamentally different from Isaac – so I don’t project myself into the scene in the ways that I usually do when I become aroused by imagery – I don’t imagine myself as if it were me interacting with Maeve and feeling what it must be like to be Maeve.  Nor am I quite taking Isaac and Maeve as objects – but instead there is a kind of transcendent identification that allows for imagining not myself into Isaac as Isaac.  That is, what it would be like, in those parts of myself that are similar to Isaac, to be Isaac.  Watching this scene allows me to be taken out of myself and into the other in a way that mirrors the experience of caring for and loving another – but I am doing that towards Isaac and, to a lesser extent, Maeve, simultaneously.  There is more at play here than in the usual love scene.

If sex is a portal that includes the possibility of imagining another and how they must feel in this particular moment, Sex Education, in this scene, allows for multiple simultaneous opportunities, at least for this viewer, to enter into being empathically connected with another – and using sexual arousal as a vehicle for transforming horror into solidarity.  If only we could bottle this, what a wonderful thing it would be!

In so far as the intent of the writers, producers, actors and directors of this series are to create a new level of empathy towards others who are different from themselves, for this viewer, this particular scene accomplished that goal.  It also helped illustrate a point that was made on a recent NPR interview with the novelist Jonathan Franzen who objected to eliminating books with morally ambiguous characters, pointing out that 20th and 21st Century novels have been focused on exploring moral ambiguity.  I hope that my self exploration (above) and revelation of my own moral ambiguity has not offended you (he said, somewhat defensively...).



 To access a narrative description of other posts on this site, link here.  For a subject based index, link here. 


To subscribe to posts (which occur 2-3 times per month), please try using the service at the top of the page.  I have had difficulty with these and am looking for something better, but these are what I have at this moment. 

  





Go Tell It on the Mountain: James Baldwin’s Coming of Age roman a clef that Comes together in One Day.

 Go Tell it on the Mountain, James Baldwin, Psychology, Psychoanalysis, Civil Rights, Personal Narrative, Power of the Concrete When I was...